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RS Honours Practical

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Practical

 Rabindra Sangeet Studies - Practical – I

Unit – III

 Rabindrasangeet from puja, swadesh, prem and prakriti parjaays :-

i) puja parjaay:                          Bhubonjora aasonkhani;

                                                Jibone aamar joto aanondo;

                                                Aamar prane gobhir gopon;

                                                Aamar praner manush ache prane .

ii) swadesh parjaay :                  Jodi tor daak sune keu na ashe;

                                                Bidhir bandhon kaatbe tumi;

                                                 Ekhon aar deri noy;

                                                Tor aapon jone chharbe tore.

lii) prem parjaay:                     Baajilo kaahar bina ;

                                             Purano janiya cheo na;

                                             Bone jodi phutlo kusum;

                                             Mone robe ki na robe aamare 

iv) prakriti parjaay:                  Pubshaoate dey dola        

                                             Daarun agnibaane re;

                                             AAj nobin megher sur legeche ;

                                             Sharate aaj kon otithi ;

                                              Elo je shiter bela.

Unit – IV

a) Rabindrasangeet from bichitro and aanusthanik parjaays ( any five) :

i) Bichitro parjaay:                  Chokh je oder chute chole go;

                                            Aami phirbo na re;

                                            Ogo nodi aapon bege;

                                            Maatir buker maajhe bondi je jol.

 ii) aanusthanik parjaay:          Sobare kori aaobhan;

                                            Aay aamader ongone. ;

                                             Phire chol, phire chol, phire chol maatir taane.

b) Tuning and playing of Tanpura.

 

                                                                                    Practical

Rabindra Sangeet Studies - Practical – II

 Unit – III

Songs written by Rabindranath during 21 - 50 years of his age ( any eight):

a) Gahanakusuma kunjamajhe;

b) Dekechen priyotomo;

c) Modhuro bosonto eseche;

 d) Naach shyama taale taale ;

e) Tumi kon kanoner phul,

 f) Madhuro madhuro dhwani baaje,

g) Koto ajanare jaanaile;

h) Raatri ese jethay meshe,

 i) AAji nahi nahi nidra,

j) Tora Shunis ni ki;

k) Ekmone tor ektarate;

1) Aaji joto fáara tobo aakashe

Unit – IV 

Songs written by Rabindranath during 51 - 80 years of his age (any eight):

a) Prano bhoriye trisha horiye,

b) Shraboner dharar moto;

c) AAji borishono mukhorito;

d) Aaji kon sure bandhibo ;

e) Kichu bolbo bole esechilem;

f) Dhoronir gogoner miloner chonde ;

g) Godhuli gogone meghe ,

h) Chhinno sikol paye niye;

i) Aamar je din bhese geche ;

j) Nidrahaara raater e gaan;

k) Baadol diner prothom kodom phul

1) Hey nuton, dekha dik aarbar.

 

Practical

 Rabindra Sangeet Studies - Practical – III

UNIT-3

  Selected Rabindrasangeet from different parjaays (any eight) :

1)      Puja parjaay -             Gaane gaane tobo bondhono jaak tute

                                               Jotokhon tumi aamay bosiye raakho 

                                                       Aamar sesh paaranir kori

2)      Swadesh parjaay –              Sonkochero bioholota

                                               Aamra milechi aaj maayer daake

3)       Prem parjaay –                  Aamar mon mane na

                                                     Onek kotha bolechilem

                                                        Hridoyer ekul okul

                                                          Olo soi, olo soi

4)      Prakriti parjaay –        Chaaya ghonaiche bone bone

                                             Aashar kotha hote aaj peli chaara

                                               Bosonto taar gaan likhe jaay

                                               Hemonte kon bosontery baani

5)      Bichitro parjaay –       Aamar nay ba holo pare jawa

                                                  Jibon aamar cholche jemon

                                                     Oi sagorer dheua dheua

                                                       Emni korey jay  Jodi din

6)      Aanushthaanik parjaay –      Agnisikha eso eso

                                                     Eso eso praaner utsobe     

                                                                  UNIT-4

1)      Songs of Atulprasad Sen, Dwijendralal Ray, Rajanikanta Sen and Kaazi Nazrul Islam (anysix) :

 

a)      Atulprasad Sen:                               Tumi gao tumi gao go,         

                                                                                Khomiyo hey Shib,

                                                                            Otho go Bharotolokkhi,

                                                                            Eka mor gaaner tori.

b)       Dwijendralal Ray :                                   Bela boye jay

                                                                               Potitoddharini Gange

                                                                    Bhitore hashiche mukhoro jamini    

                                                                                Heshe nao a dudin

c)       Rajanikanta Sen :                               Preme jol hoye jao gole

                                                                           Keno bonchito hobo chorone

                                                                     Kobe trishito a moru chariya jaibo

                                                                             Shunao tomar amritobani.

d)      Kaazi Nazrul Islam :                       Snigdho shyamo beni borna

                                                                            Kaaberi nodi jole ke go

                                                                            Tomaar aakhir moto

                                                                       Haarono hiyar nikunjopothe

2)      Bramhosangeet and  Vedagaan  ( any two) :

                              Dehogyan dibbyogyan – Maharshi Debendranath Tagore

                                     Anonde aakulo sobe – Dwijendranath Tagore

                   Pronomami anadi ananto sonatono purusho – Jyotirindranath Tagore

                                                                   Yaademi prashphuranniba

                                                Sangacchadhwang  sangbodadhwang

 

Practical

 Rabindra Sangeet Studies - Practical – IV

UNIT-3

Rabindrasangeet based on western and provincial tunes ( any eight) :

Aaha aaji a bosonte

Phule phule dhole dhole

Sokoli phuralo swapono pray

Kotobaro bhebechinu

Kaali kaali bolo re aaj

O dekhbi re bhai aay re chute

Baaje baaje romyobina baaje

Sokaatore oi kaadiche sokole

Kotha aacho probhu

Boro aasha kore

Aaji subhodine

Nomi nomi bharati. 

UNIT-4

Rabindrasangeet based on Bengal’s folk tunes, kirtan and padabali ( any eight) :

Diner pore din je gelo

Ore aagun aamar bhai

Tomar khola hawa

Aamar mon jokhon jaagli na re

Aami taarey jaani

Ebaar tor mora gange

Phire phire daak dekhi re

Jaare nije tumi bhasiyechile

Oi aashontoler

Naa chahile jaare pawa jaay

Sajani sajani radhika lo

Aaju sokhi muhumuhu

 

Rabindra Sangeet (Hons.)

Semister –V, Paper-VI

PRACTICAL – V

UNIT-1

Rabindrasangeet based on various forms of north Indian classical music (any eight) :

Aaji a aanondosondhya

Kaar milono chao birohi

Taahare aaroti kore

Aamare koro jibonodaan

Protidino tobo gaatha

Mondire momo ke

Jogote aanondojoggye

Mono jaago mongololoke

Nobo aanonde jaago

Bohe nirontoro ananto aanandadhara

Antore jaagicho antorojaami

Nutono praano daao

Hridi mondiro dare

UNIT-2

Rabindrasangeet on taals created by Rabindranath Tagore (any eight) :

Ei lobhinu songo tobo

Nibiro ama timiro hote

Aamare tumi ashesh korecho

Modhyodiner bijon baatayone

Shyamolo chaaya naai ba gele

Sokaalbelar kuri aamar

Sharato aalaor komolobone

Jibono moroner simana charaye

Keno saaradin dhire dhire

Nibiro ghono aandhare

Preme prane gaane gondhe

Duare daao more raakhiya

UNIT-3

A selected portion of a geetinatya or nrityanatya of Rabindranath Tagore.

UNIT-4

Notation reading.

 

Rabindra Sangeet (Hons.)

Semister –VI, Paper-VIII

PRACTICAL – VI

UNIT-1

 

Rabindrasangeet from the selected plays (any eight) :

a)       Raaja :                                   Biroho madhuro holo aaji madhurate

                                                       Basante ki sudhu kebol phota phuler mela re

b)       Muktadhara:                                    Bhule jay theke theke

                                                                         O to aar phirbe na re

c)       Achalayaton :                             Tumi daak diyecho kon sokale

                                                                  Ghorete bhromor elo gunguniye

d)       Raktakorobi :                             Mor swapontorir ke tui neye

                                                                          Tomaay gaan sonabo

e)         Prayoshchitto:                              Aaj tomare dekhte elem

                                                                            O je mane na maana

        f)   Grihoprobesh :                        Aamar mon cheye roy mone mone

       g)  Chirokumar sabha :                            Monomondirosundori

                                                                            Ogo, tora ke jabi pare.

 

UNIT-2

Rabindrasangeet from Ritunatyas ( any eight) :

a)      Sharodotsab :                             Aanondery saagor hote

                                                          Nnabakundo dhabal dolo sushitala

b)      Faalguni :                                 Ore bhai phaagun legeche

                                                                         Mora cholbo naa

c)      Basanto :                                      O aamar chaader aalo

                                                                      Se ki bhabe gopon robe

d)      Sheshborshon :                                    Eso nipobone

                                                                     Je chayare dhorbo bole

e)      Nataraj Riturangashala :          Shitero bone kon se kothin

                                                          Raangiye diye jaao go ebaar jaabar age

f)       Nobin :                                     Phagun tomar haway haway

                                                                         Ora okarone chonchol.

 

UNIT-3

1)      Selected Rabindrasangeet from Gitabitan Volume – III (any five):

a)       Natyageeti –                  E ki sotyo sokoli sotyo

                                                                     Bhalo Jodi baso sokhi

b)       Jaatiyo sangeet –            Ekosutre bandhiyachi

                                                                Keno cheye aacho go maa

c)       Puja o prarthona –        Dibanishi koriya joton

                                               Mohasinghasone bosi shunicho hey biswopoti

 

d)      Aanushthanik sangeet – Oi mohamanobo aase

                                                                  Somukhe shanti paraabar

e)       Prem o prakriti –              Dujone dekha holo

                                                                         Sohe na jaatona

 

2)      Selected songs written by Tagore during his stays abroad (any five):

E monihaar aamay naahi saaje

Tomari naam bolbo nanachole

Praane khushir tuphan utheche

Chutir banshi baajlo

Roy je kaangal shunyo haate

Madhuro tomaar shesh je naa pay

Diner belay banshi tomaar baajiyechilem

Poth ekhono shesh holo naa. 

UNIT-4

 

Stage performance.

 

 

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RS Honours Theory

Written by musiccollege. Posted in E-Content_RS

Rabindra Sangeet (Hons.)

Semester –I, Paper-I

 Rabindra Sangeet Studies - Theory – I

Unit -I 

1)  Bengali songs of the pre-Tagorian era: Bramhasangeet, Swadeshi Sangeet, Tappa, etc. 

2) Songs of Jatra and theatre. 

3) Musical environment of Jorashanko Thakurbari and music teachers of  Rabindranath in his boyhood. 

4) Life sketch of Rabindranath Tagore. 

5) Influence of Maharshi Debendranath Tagore and Jyotindranath Tagore on Rabindranath's life. 

6) Different parjaays of Rabindrasangeet. 

7) Short note : Dhrupad, khayal, Thumri, Tappa,Kirtan.

Unit - II 

1) An idea of musical scales. 

2) Detailed study of ten thaats of north Indian classical music. 

3) Knowledge of notation system : Dandamatrik, Aakarmatrik, Hindustani system (Pt. Bhatkhandeji's notation system) and Pt. B D Paluskar's notation system. 

4) A general study of western notation system. 

5) A brief study of the north Indian taal system.

 

Rabindra Sangeet (Hons.)

Semester –II, Paper-II

 Rabindra Sangeet Studies - Theory – II

Unit - I

a) Brief knowledge of Rabindranath's contribution as a : Poet, Musician, Dramatist and actor, Story writer, Novelist, Educationist,Artist.

b) Rabindranath's musical practice and creacions in his early life (upto 25 years of his age).

c) Study of the selected books of Rabindranath Tagore : Robichhaya, Gitimaalya, Geetali, Probahini, Gitabitan.

Unit - II

a) Rabindranath and Tripura.

b) Rabindranath's novel and dramas written in Tripura's perspective : Raajarshi, Bisharjan, Mukut.

c) Songs written by Rabindranath during his stays in Tripura.

d) Bishnupur Gharana and Rabindranath.

e) Role played by Rabindrasangeet in our personal and social life.

 

 Rabindra Sangeet (Hons.)

Semister –III, Paper-III

 Rabindra Sangeet Studies - Theory – III

 UNIT-1

1)      Sub-divisions of Rabindrasangeet compiled under puja parjaay of Gitabitan (upaparjaays of puja parjaay).

2)      Analytical study of Rabindrasangeet classifiedunder prem parjaay of Gitabitan.

3)      Analytical study of Rabindrasangeet classifiedunder prakriti parjaay of Gitabitan.

4)      Analytical study of Rabindrasangeet classifiedunder bichitra parjaay of Gitabitan.

5)      Analytical study of Rabindrasangeet classifiedunder aanushthanik parjaay of Gitabitan and Rabindranath Tagore’s celebration of raakhibandhan utsab.

 

UNIT-2

1)      Life sketch and analysis of musical creations of Rabindranath Tagore’s contemporary Bengali musicians – Atulprasad Sen, Dwijendralal Ray, Rajanikanta Sen, Kaazi Nazrul Islam.

2)      Life sketch of the following musical personalities – Maharshi Debendranath Tagore, Dwijendranath Tagore, Shantideb Ghosh, Anadi Ghosh Dastidar, Pankaj Kumar Mallik, Shailajaranjan Majumder, Suchitra Mitra, Kanika Bandyopadhyay.

 

Rabindra Sangeet (Hons.)

Semester –IV, Paper-IV

 Rabindra Sangeet Studies - Theory – IV

UNIT-1

1)      Study of various forms of folk music of Bengal – baul, bhaatiyali, bhaoaiya, jhumur, tushu, jaari, saari, bhadu, etc.

2)      Rabindranath Tagore’s views on kirtan form of music.

3)      The concept of bhaanga gaan in  rabindrasangeet.

4)      Influence of Bengal’s folk music on rabindrasangeet.

5)      Impact of western culture on the Bengali society of the 19th century.

6)      Rabindrasangeet based on Western tunes.

UNIT-2

1)      Rabindrasangeet based on various provincial tunes of India

2)      Rabindrasangeet based on baul form of music.

3)      Influence of kirtan  on rabindrasangeet.

4)      Influence of padavali on rabindrasangeet.

5)      Influence of Veda on rabindrasangeet.

 

Rabindra Sangeet (Hons.)

Semester –V, Paper-V

 Rabindra Sangeet Studies - Theory – V

UNIT-1

1)      Influence of various forms of north Indian classical music on rabindrasangeet – dhrupad, khayal, thumri and tappa.

2)      Application of raag-raaginis in rabindrasangeet.

3)      Rabindranath Tagore’s views on Hindustani classical music.

4)      Study of Rabindranath Tagore’s music related essays – Sangeet o Bhaab, Sangeet o Kobita, Antor Bahir, Sangeeter Mukti, Aamader Sangeet.

UNIT-2

1)      Taals created by Rabindranath Tagore.

2)      Knowledge of various forms of taals of India – north Indian taal system, south Indian taal system, taals of kirtan, Manipuri taal system.

3)      Taalpherta and loypherta rabindrasangeet.

4)      Use of muktochanda in rabindrasangeet.

5)      Pronunciation in rabindrasangeet.

UNIT-3

1)      Music dramas (geetinatya) of Rabindranath Tagore – Balmiki Pratibha, Kaalmrigoya, Maayar Khela.

2)       Dance dramas (nrityanatya) of Rabindranath Tagore –  Chitrangada, Shyaama, Chandalika.

3)      Rabindranath Tagore’s compositions prior to the creation of his nrityanatyas – Taasher Desh, Shishutirtha, Shapmochon.

 

UNIT-4

1)      Sequence of development of Tagore’s songs.

2)      Spiritualism in Rabindranath Tagore’s songs.

3)      Patriotic songs (Swadeshi sangeet) of pre Rabindranath Tagorian era.

4)      Patriotic songs (Swadeshi sangeet) of Rabindranath Tagore .

5)      Rabindranath Tagore’s patriotic feelings and the role played by his songs in promoting patriotism among his fellow countrymen.

 

Rabindra Sangeet (Hons.)

Semister –VI, Paper-VII

Rabindra Sangeet Studies - Theory – VI

UNIT-1

 

1)      Basic knowledge of Rabindranath Tagore’s songs used in his plays – Raaja, Muktodhara, Achalayatan, Roktokorobi, Prayoshchitto.

2)      Basic knowledge of Rabindranath Tagore’s Ritunattyas – Sharodotsab, Faalguni, Seshborshon, Nataraj Riturangashala, Shrabongaatha, Basonta, Nabin.

 

UNIT-2

1)      Brief knowledge of the system of education followed by Rabindranath Tagore in Shantiniketan.

2)      A historical perspective of the introduction of dance in Shantiniketan and its evolution.

3)      Influence of the lifestyle and environment of Shantiniketan on the musical creations of Rabindranath Tagore.

4)      Basic knowledge of the various types of environmental practices initiated by Rabindranath Tagore in Shantiniketan.

5)      Rabindranath Tagore as a singer.

UNIT-3

1)      Songs written by Rabindranath Tagore for various festivities and programmes (like marriage ceremonies, birthday celebrations, tree plantation programe, etc) .

2)      Songs written by Rabindranath Tagore during his stays abroad.

3)      Gitanjali period.

4)       Event-based Rabindrasangeet.

5)      Death consciousness in Rabindranath Tagore’s songs.

6)      Importance of touch notes in Rabindrasangeet.

 

UNIT-4

 

1)      Last ten years of Rabindranath Tagore’s life.

2)      Accompanying musical instruments in Rabindrasangeet.

3)      Future of  Rabindrasangeet.

4)      Independence of artists rendering Rabindranath Tagore’s songs.

5)      Notation writing – Aakarmatrik, Aakarmatrik to Hindustani, Hindustani to Aakarmatrik.